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Exhibitions (selected)
September 2017 "The Art of Containment", Flint Institute of the Arts. Flint, MI.
May 2017 Two Man Show. Gallery Chiz. Pittsburgh, PA.
April 2017 "Abstract Arizona" Tohono Chul Cultural Ctr. Tucson, AZ.
January 2017 "Red" Group Invitational. Lovitt's Gallery. Tulsa, OK.
January 2017 "Rewind" Group Invitational. Clay Art Center. Port Chester, NY.
February 2017 " Textural". Group Invitational. Schaller Gallery. St Joseph, MI
October 2016 "TCA Juried Biennial: Clay" Tempe Center for the Arts, Tempe, AZ.
August 2016 "Workhouse International Ceramics Competition ".Lorton Arts Center. Lorton, VA.
August 2016 KC Potters Guild "Teabowl National" Kansas City, MO.
July 2016 "Teapot Invitational" Chautauqua Art Institute, Chautauqua, NY.
June 2016 "Fahrenheit" Lovitt's Gallery. Tulsa, OK.
May 2016 "All Arizona Clay" Shemer Art Center, Phoenix, AZ.
April 2016 "21st Annual San Angelo National Ceramic Competition, San Angelo, TX.
October 2015 "Small Works Invitational" Tohono Chul Cultural Ctr. Tucson, AZ.
July 2015 "Celadon and Temoku" Schaller Gallery, ST. Joseph, MI
May 2015 "Focus on Form" Schaller Gallery, ST. Joseph, MI
May 2015 "The Yunomi Invitational" Akar Design, Iowa City, IA.
May 2015 "The Sky Above" Invitational. Tohono Chul Cultural Center., Tucson, AZ.
April 2015 "Honoring the Past, Embracing the Future" AMOCA, Pomona, CA
March 2015 "Line and Pattern" Schaller Gallery, St. Joseph, MI
May 2014 "Rare in OC Invitational" City of Brea Art Gallery. Brea, CA.
April 2017 "Abstract Arizona" Tohono Chul Cultural Ctr. Tucson, AZ.
January 2017 "Red" Group Invitational. Lovitt's Gallery. Tulsa, OK.
January 2017 "Rewind" Group Invitational. Clay Art Center. Port Chester, NY.
February 2017 " Textural". Group Invitational. Schaller Gallery. St Joseph, MI
October 2116 "TCA Juried Biennial: Clay" Tempe Center for the Arts, Tempe, AZ.
August 2016 "Workhouse International Ceramics Competition ".Lorton Arts Center. Lorton, VA.
August 2016 KC Potters Guild "Teabowl National" Kansas City, MO.
July 2016 "Teapot Invitational" Chautauqua Art Institute, Chautauqua, NY.
June 2016 "Fahrenheit" Lovitt's Gallery. Tulsa, OK.
May 2016 "All Arizona Clay" Shemer Art Center, Phoenix, AZ.
April 2016 "21st Annual San Angelo National Ceramic Competition, San Angelo, TX.
October 2015 "Small Works Invitational" Tohono Chul Cultural Ctr. Tucson, AZ.
July 2015 "Celadon and Temoku" Schaller Gallery, ST. Joseph, MI
May 2015 "Focus on Form" Schaller Gallery, ST. Joseph, MI
May 2015 "The Yunomi Invitational" Akar Design, Iowa City, IA.
May 2015 "The Sky Above" Invitational. Tohono Chul Cultural Center., Tucson, AZ.
April 2015 "Honoring the Past, Embracing the Future" AMOCA, Pomona, CA
March 2015 "Line and Pattern" Schaller Gallery, St. Joseph, MI
May 2014 "Rare in OC Invitational" City of Brea Art Gallery. Brea, CA.
Fairs and Festivals (selected) I retired from the art fair business in 2015
March 07,08,09 La Quinta Arts Festival, La Quinta, CA. (Best of Fine Craft 08)
March 92-94, 06-14 Scottsdale Festival of the Arts, Scottsdale, AZ ( Jurors Award 06,09)
Dec.2005 Crafts at the Castle, Boston, MA.
July 92-4, 05,6 7,9,11,12,13 Cherry Creek Festival of the Arts, Denver, CO.
April 2005, 06 Palm Beach Fine Craft Show, Palm Beach FL
September 2004 St. Louis Art Fair, St. Louis, MO.
October 2004,05 Westchester Craft Show, White Plains ,NY
November 1994,2004 Philadelphia Museum of Art Craft Show, Philadelphia, PA
November 92-94 04, 05 Washington Craft Show, Washington, DC
April 1994 Smithsonian Craft Show, Washington DC.
May 1991, 1990 American Craft at the Armory, New York, NY.
Publications (selected)
  • American Craft, Architectural Digest, Ceramics Monthly, House Beautiful, Metropolitan Home, House and Garden, Lark Books, Luxe Magazine, Potters Council, Phoenix Home and Garden, AZ Republic, New Times, The New Yorker, New York Times, New York Times Magazine, Quattro Books, Scottsdale Republic
Permanent Collections (selected)
  • AT&T, Arizona State University Art Collections Ceramic Research Center, American Museum of Ceramic Art, Bank of Denver, Coopers and Lybrand, MCI, Qwest, Saks Fifth Avenue, Blue Cross Blue Shield Of AZ, Tokyo Ana Hotel, Tokyo Intl. Airport, Chase Bank, Stouffer’s Hotels, Hughes Aircraft, Boise Art Museum, Marshall Fields, Rouse Company, Westin Hotels, Wichita Center for the Arts, University Hospitals, Cleveland, OH Flint Institute of the Arts. Flint, MI. Phoenix Sky Harbor Airport Museum. Phoenix,AZ.
Guest Lectures
  • Featured Artist Scottsdale City Channel.
  • Scottsdale Museum of Contemporary Art.
Honors
  • 2009 Artist Project Grant, Arizona Commission for the Arts
  • 2008 Award Presentation, Arizona Governors' Arts Awards
  • 2015 Craftsman Extraordinaire, American Craft Week
Education
  • B.F.A. Arizona State University, 1981. Summa cum Laude

Bio

Early experiences with clay as a child apparently left a mark. After school, apprenticeships and more school, making pots was, is and will continue to be a way of life. I’ve been a studio potter for more than 30 years now, living and working in Arizona for much of that time. My work as a professional has always been low fire earthenware. For many years my Raku pots were shown nationally. The influences are scattered from the Southwest, Africa and Japan to the cultures of the Mediterranean. A museum full of 2000 year old pots in Rhodes was an epiphany. Simple forms with no contrivance or pretension filled room after room. I hope to make one like that before I’m done. Seeing those pots 10 years ago started this current evolution. It began with soft muted colors, totally classic shapes.

Amphora, ewers, and jugs with an ancient feel. Then, textured pots with extravagant handles, spouts and flourishes using brushed color. Over the last 4 years the current body of work has evolved. Hot colors, simple closed forms with very controlled textures dominate.

The last piece finished today, good, bad or indifferent is the product of doing the work for many years. These pieces can’t be made without those experiences, successes and failures, lots of failures. Even after 30 years, everyday in the studio is an adventure; I’m looking forward to working tomorrow.

Artist Statement

Form is everything; I stretch clay to make canvases for decoration. Texture, pattern and color are successful additions when the shapes are impeccable. My inspirations are many, from the classic forms of antiquity to the simple, graceful pots made by indigenous peoples and the work of modern studio potters.

This current body of work deals mostly with simple clean form. Handles and other flourishes are being added again after a four year hiatus. Dramatic color and subtle texture accentuate what I hope is a mastery of the traditional vessel form.

Technical Description

Thrown earthenware, with layers of textured slip, colored slips and oxides.Multiple gas or electric firings in oxidation to cone 03 or approximately 2000F.